Limitless

Limitless is a fun movie and worth seeing. Director Neil Burger takes an idea and portrays it creatively. Smooth actor Bradley Cooper is great for the role of a struggling writer who discovers a way to access his entire brain capacity. I liked how the effect of the pill was portrayed as a high like any other drug. Burger seems to have the philosophy, of which I concur, that the ultimate high is that of the climactic mind. He shows how it not only feels great but leads to great success. I liked how the pill was used to achieve wealth as that is what I believe is a core desire of man, and therefore will be pursued with supernatural brain power. The cinematography during the highs were creative and more importantly cool. Power is a craving of man and this film advocates that knowledge is power. De Niro was great as the wealthy business superpower Van Loon. Abbie Cornish was also good as the lady figure experiencing the drug vicariously through Morra (Cooper). It’s a movie that will keep you interested and is surprisingly not hackneyed as an idea of this nature can often be. Solid flick; 3 stars.

Black Swan

Director Darren Aronofsky has the unique talent of temporarily usurping the mind of his audience. Black Swan was carefully and eloquently designed. The film, at its core, is about something beautiful and pure; dance. As the director of the dance company, Thomas (Vincent Cassel), choreographs and conducts his symphony, Aronofsky directs his vision. With a superb performance by Natalie Portman, the viewer is taken deep into Nina Sayer's' chaotic mind. As the white-swan/black-swan conflict emerges far beyond the dance itself, Mila Kunis is great as Lily the sensual and seductive antithesis to Nina. The numerous layers and multiple ideas that are prevalent in this film are what make it special. The characters are deep, and the points sharp. The sexual scenes as well as the company of beautiful dancers adds a clear edge to the picture. Perhaps the key to the dramatic film is the musical pieces in the background that drive the mood. I do have a few criticisms of the movie. Towards the end the film gets dangerously close to becoming a full fledged horror film. However, Aronofsky clearly had the agenda of depicting total chaos and panic so the horror scenes added. Also, the psychology of the film reminds me a bit too much of Fight Club. As with most movies of this kind (somewhat all over the place) there are likely holes in the movie. It is not clear how the broad story of the movie fits exactly with the story of the Swan Queen, but most parts make sense. Still, I love Aronofsky's style and his work. He manipulates the mind and take the audience into another world; his world. He knows no boundaries and makes sure you will not forget his work. There is a rush at every moment and an explosion at the finale. Analyzing this film is both intellectually and emotionally stimulating. 4 stars.

127 Hours: Spoiler Alert (If somehow you don't already know the ending)

It is difficult to write about this movie because Aron Ralston's story truly speaks for itself. The plot of the movie, based on the true story, allows for a rare correct usage of the word unbelievable. The film has many attributes other than an enthralling story as well. Acclaimed director of Slumdog Millionaire Danny Boyle, gives his audience more than just a man's account; he delivers a film. The movie must be brief because it mostly takes in one setting with one character. Boyle therefore uses his film time quite wisely. In the early stage of the movie he develops Aron Ralston (James Franco) as a personality and allows the audience to form a relationship with light-hearted, adventurer. He then abruptly goes to the meat of the film, when Aron's right arm gets trapped in canyon-land between a boulder and a wall. The remainder of the movie is spent between Aron, his thoughts, and the audience; all in one sliver of earth. James Franco puts on his best performance as he portrays a man willing to do anything to escape his quagmire. Franco was perfect in every aspect; comedic yet deep. Boyle takes us, vicariously through Aron, as close as anyone can get to death and still tell about it. Boyle puts in a number of delusions that seem a little over the top, but when someone is that helpless anything is possible. I was a little too squeamish to watch the climactic scene where Aron amputates his own arm in full detail. Boyle got the job done using visual and auditory techniques to portray Aron's chaotic state of pain. Boyle and Franco gave a little extra to a story that didn't even need any. 3 1/2 stars. Interview with Aron Ralston

Harry Potter and the Deathly Hallows: Part 1

I find the premise of this film to be quite humorous. Those involved with creating this movie have publicly announced their intention of making a film used only as plot set-up, and one that lacks a true climax. Why make one Harry Potter movie and make 500 million dollars, when you can make 2 movies and make double? It is true, though, that the book by J.K. Rowling is far too long to realistically fit into one motion picture. Therefore, this movie is to some extent a necessary evil. As the magical world faces its darkest times, the scenes with Lord Voldemort (Ralph Fiennes) and his followers are always eerily intriguing. Much of the dialogue is well done, however there is far too much of it and at times scenes come off as hackneyed and cliche. The action and plot of the film flow, but at some point it becomes apparent that this movie is really only to make Part 2 better. Entering the movie, obviously every viewer knows only half of the book is being portrayed, and it is therefore unfair to judge the movie solely based on that fact. Director David Yates controls and sets up the movie nicely. The scenery is wonderful (as expected). As usual, it is a joy to return and spend time with the great characters Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermioine (Emma Watson). Overall the film is good with good acting and some fun scenes. It definitely creates a great deal of suspense, but it's hard to be blown away by something that needs its Part 2. 2 1/2 stars.