Sunday, December 12, 2010

Black Swan

Director Darren Aronofsky has the unique talent of temporarily usurping the mind of his audience. Black Swan was carefully and eloquently designed. The film, at its core, is about something beautiful and pure; dance. As the director of the dance company, Thomas (Vincent Cassel), choreographs and conducts his symphony, Aronofsky directs his vision. With a superb performance by Natalie Portman, the viewer is taken deep into Nina Sayer's' chaotic mind. As the white-swan/black-swan conflict emerges far beyond the dance itself, Mila Kunis is great as Lily the sensual and seductive antithesis to Nina. The numerous layers and multiple ideas that are prevalent in this film are what make it special. The characters are deep, and the points sharp. The sexual scenes as well as the company of beautiful dancers adds a clear edge to the picture. Perhaps the key to the dramatic film is the musical pieces in the background that drive the mood. I do have a few criticisms of the movie. Towards the end the film gets dangerously close to becoming a full fledged horror film. However, Aronofsky clearly had the agenda of depicting total chaos and panic so the horror scenes added. Also, the psychology of the film reminds me a bit too much of Fight Club. As with most movies of this kind (somewhat all over the place) there are likely holes in the movie. It is not clear how the broad story of the movie fits exactly with the story of the Swan Queen, but most parts make sense. Still, I love Aronofsky's style and his work. He manipulates the mind and take the audience into another world; his world. He knows no boundaries and makes sure you will not forget his work. There is a rush at every moment and an explosion at the finale. Analyzing this film is both intellectually and emotionally stimulating. 4 stars.

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