Black Swan

Director Darren Aronofsky has the unique talent of temporarily usurping the mind of his audience. Black Swan was carefully and eloquently designed. The film, at its core, is about something beautiful and pure; dance. As the director of the dance company, Thomas (Vincent Cassel), choreographs and conducts his symphony, Aronofsky directs his vision. With a superb performance by Natalie Portman, the viewer is taken deep into Nina Sayer's' chaotic mind. As the white-swan/black-swan conflict emerges far beyond the dance itself, Mila Kunis is great as Lily the sensual and seductive antithesis to Nina. The numerous layers and multiple ideas that are prevalent in this film are what make it special. The characters are deep, and the points sharp. The sexual scenes as well as the company of beautiful dancers adds a clear edge to the picture. Perhaps the key to the dramatic film is the musical pieces in the background that drive the mood. I do have a few criticisms of the movie. Towards the end the film gets dangerously close to becoming a full fledged horror film. However, Aronofsky clearly had the agenda of depicting total chaos and panic so the horror scenes added. Also, the psychology of the film reminds me a bit too much of Fight Club. As with most movies of this kind (somewhat all over the place) there are likely holes in the movie. It is not clear how the broad story of the movie fits exactly with the story of the Swan Queen, but most parts make sense. Still, I love Aronofsky's style and his work. He manipulates the mind and take the audience into another world; his world. He knows no boundaries and makes sure you will not forget his work. There is a rush at every moment and an explosion at the finale. Analyzing this film is both intellectually and emotionally stimulating. 4 stars.

127 Hours: Spoiler Alert (If somehow you don't already know the ending)

It is difficult to write about this movie because Aron Ralston's story truly speaks for itself. The plot of the movie, based on the true story, allows for a rare correct usage of the word unbelievable. The film has many attributes other than an enthralling story as well. Acclaimed director of Slumdog Millionaire Danny Boyle, gives his audience more than just a man's account; he delivers a film. The movie must be brief because it mostly takes in one setting with one character. Boyle therefore uses his film time quite wisely. In the early stage of the movie he develops Aron Ralston (James Franco) as a personality and allows the audience to form a relationship with light-hearted, adventurer. He then abruptly goes to the meat of the film, when Aron's right arm gets trapped in canyon-land between a boulder and a wall. The remainder of the movie is spent between Aron, his thoughts, and the audience; all in one sliver of earth. James Franco puts on his best performance as he portrays a man willing to do anything to escape his quagmire. Franco was perfect in every aspect; comedic yet deep. Boyle takes us, vicariously through Aron, as close as anyone can get to death and still tell about it. Boyle puts in a number of delusions that seem a little over the top, but when someone is that helpless anything is possible. I was a little too squeamish to watch the climactic scene where Aron amputates his own arm in full detail. Boyle got the job done using visual and auditory techniques to portray Aron's chaotic state of pain. Boyle and Franco gave a little extra to a story that didn't even need any. 3 1/2 stars. Interview with Aron Ralston